about 700 words

1 march 2006

Dydd Gwyl Dewi - St David's Day
opening of Y Senedd,
the new Welsh Assembly building in Cardiff

5th birthday of daffodil

d a f f o d i l f i f t y - t w o

monthly news of experiments in public writing at
http://www.softopia.demon.co.uk

l i s t e d d e s i g n s a n d b o o k s

Today i am beginning a digital catalog of some of my designs and books rescued from inaccessible parts of my memory or archive

http://www.softopia.demon.co.uk/2.2/listed_designs.html

http://www.softopia.demon.co.uk/2.2/listed_books.html

(in the UK a 'listed' building is an antique that is considered to be worth preserving!)

The first antique design that comes to mind is a proposal for a mobile Welsh Assembly building, moving each year to a different town in Wales, as does the National Eisteddfod.

The idea of rescuing this design came to me this morning when i switched on the radio and heard that the new Senedd or Welsh Assemby Building in Cardiff is being opened today.

Still feeling sorry for my ignord design proposal, i decided to bring it to light in softopia, my public writing place, TODAY!

...then generalising that idea, i decide to catalogue some of my hidden or neglected designs... and books also...

w h a t ' s n e w ?

since daffodil 51 there were 11 new entries online: http://www.softopia.demon.co.uk/2.2/whats_new.html

Two of these were provoked by the appearance in the Wikipedia of an entry on 'Design methods' written by Adam Kallish, and others.

Adam asked me to respond. My reaction was to attempt my own version, on softopia:

'design methods in 250 words' http://www.softopia.demon.co.uk/2.2/design_methods_250_words.html

'the literature on design methods' http://www.softopia.demon.co.uk/2.2/design_methods_literature.html

I have been extending and amending these pages for a week and may continue... as i do this i feel as i did when writing Design Methods - glad to be describing a collective entity that is greater than, and perhaps more useful than, any of us individually!

Since these pages on design methods appeared on softopia about a week ago the number of visits has doubled!

r a d i o (dates of broadcasts AND HOW TO LISTEN ANYWHERE*)

The weekly broadcasts of the Late Late Breakfast Show from the Foundry** (the London art pub or bar*) on Resonance FM are continuing at 104.4 FM between 12.00 and 13.00 London Time (at present Greenwich Mean Time Time) on Fridays.

I expect to be reading from the digital diary every other Friday - the next reading will be broadcast on 3rd MARCH 2006

*TALKING TO SEVERAL SUBSCRIBERS LATELY I FOUND THAT NONE OF THEM REALISED THAT YOU CAN LISTEN VIA THE INTERNET TO FUTURE AND PAST BROADCASTS ANYWHERE IN THE WORLD IF YOU CLICK:

http://www.foundry.tv/radio.html

and then click 'live radio' or 'archives'.

**The Foundry is at: 84-86 Great Eastern Street, London EC4 a short walk from Old Street Tube Station, exit 3, phone 020 7739 6900.

RATHER AMAZING? long scroll of pictures of what's on at the foundry: http://www.foundry.tv

s u b s c r i b i n g :

There are now about 215 subscribers and normally about 6 to 10 visit each day... but in the last week the number has doubled...

just over half of these are people who have not visited before and just under a half are repeat visits... visits are recorded from about 85 countries.

You can receive daffodil monthly if you send me an email with 'subscribe' in the subject line (or 'unsubscribe' if you no longer wish to receive it).

If subscribers change email address their daffodils are automatically returned and I remove them from the list.

SO BEFORE YOU CHANGE YOUR EMAIL ADDRESS - PLEASE LET ME KNOW!

If you install anti-spam software please check to see that daffodil still reaches you (it appears in the first week of each month).

good wishes

john chris

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(about 1800 words)

d a f f o d i l o n e

1st March 2001

occasional email news of http://www.softopia.demon.co.uk

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c o n t e n t s

1. purpose

2. news of www.softopia.demon.co.uk

3. why daffodil?

4. subscribe/unsubscribe

5. copyright and copyleft

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1. p u r p o s e

Though reluctant to accept fixed aims I admit that in sending this newsletter I have several:

to inform those who may be like to know of changes to my website

to celebrate and to enjoy the new freedom to write publicly on a website (without commercial, political or editorial limitations)

to explore the possibility of a new culture appropriate to the presence of the internet and other 'soft technologies'

and now, having some found words for these aims, I will try to live to them for a time and see what happens

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2. n e w s o f www.softopia.demon.co.uk

I have not changed the first version of my website since it appeared on the web in October 1999 but today I am adding another. The new one, version 2.1, can be reached via the same URL and is subtitled 'my public writing place'.

Not wanting to tie it to specific purposes I describe it as:

the world seen as poetry and colours
thanks to the imaginary rock foundation
and everything

and also as 'parts of a culture'

The 'parts' to which this refers are a growing number of linkwords, arranged in alphabetical order. Here are sixteen that I hope will appear on the new homepage on 1st March or soon after - but it may be some time before all the linkwords are activated and working properly as I am a beginner in writing HTML (suggestions are welcome):

archive
invisible books
couriers
creative democracy
daffodils
found poem
after giraldus
homepage
the internet and everyone
journal
newlife
notes
poetry
softopia
the whole
year-and-a-day

Previously I called all things that appears on the internet 'parts of the cyberepic'.

(...but today, 1st March 2001, a few minutes before noon when I've promised to send this email, I find that only the more poetic linkwords:

a
found poem
the internet and everyone

are functioning...

...I hope to activate some other links later today but just now it seems I cannot... )

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3. w h y d a f f o d i l ?

Some of the thoughts that led me, in 1999, to choose this name - and some speculations on 'the anthropology of the present':

part 1. opening and welcome

screen 1.1 This daffodil is the first of a series of occasional emails (or public writing spaces) in which I hope to share my recent writings almost as soon as they happen. If you receive this first one (which I am sending to a list of people who have communicated with me before) you are welcome to subscribe (or not to subscribe if you prefer not to receive the daffodils which I hope will follow).

Why daffodil? (according to the Shorter Oxford English Dictionary it was originally affodill, the genus asphodelus - 1607, but now restricted to genus narcissus - 1629)

I was thinking of each email as the opening of an imagined flower, perhaps the asphodel ('that greeny flower' which inspired William Carlos Williams' poem of that name) or a daffodil as we know it (which in Wales is called 'cenhinen Bedr' or Peter's leek, the national emblem - which provokes me to say 'croeso i bawb', welcome to everyone, me also, to this opening).

screen 1.2 And then I recalled William Wordsworth's poem about daffodils which many people have learnt by heart:

I wandered lonely as a Cloud
That floats on high o'er Vales and Hills,
When all at once I saw a crowd
A host of dancing Daffodils;
Along the Lake, beneath the trees,
Ten thousand dancing in the breeze.

The waves beside them danced, but they
Outdid the sparkling waves in glee:-
A Poet could not but be gay
In such a laughing company:
I gazed - and gazed - but little thought
What wealth the shew to me had brought:

For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.

(earliest version)

screen 1.3 I read, (in Stephen Gill's 1984 edition of the poems) that Wordsworth said 'The two best lines are by Mary', his wife:

They flash upon that inward eye
Which is the bliss of solitude

and I note what his sister Dorothy wrote in her Journal after she and William had seen the daffodils along the western shore of Lake Windermere in 1802 :

'I never saw daffodils so beautiful, they grew among the mossy stones about and about them, some rested their heads upon these stones, as on a pillow, for weariness and the rest tossed and reeled and danced and seemed as if they verily laughed with the wind that blew upon them over the lake, they looked so gay ever glancing ever changing'.

screen 1.4 why screens? I am numbering this electronic daffodil in screenfulls, instead of pages and I'm limiting each 'screen' to 300 words - which I guess is about as many as fill anyone's computer screen if the text is set to 12 point or so. Each daffodil will also appear at the website (where the each screen may include a hypertext link to the next?)

screen 1.5 what will I write about? Anything that comes to mind, prompted by memories, news items, readings, walks, experiences of any kind, and by my strong feeling that there is something wrong with or missing from this culture of ours, some mismatch between people and machines that has provoked me all my life to think and to do what I have done, or refrained from doing. I will try, in how I write what follows, to embody rather than prescribe my idea of how to put things right.

And some of what I write will I hope be 'virtual fiction' - which means that it will be true, to itself, if I can keep a distance from the culture we inherit while reacting to it, or against.

These daffodils are of course imaginary, though composed of real words you might say, but then everything has to be imagined in the act of perceiving, does it not?. What we see is how we are, and that changes all the time, especially between generations.

screen 1.6 how often, and why? I am thinking that once a month is often enough if I am to keep up the effort and if computer memories are not to overflow. But perhaps it will be less frequent than that. It's an experiment - and I may fail to keep it up.

I must admit that writing an occasional news letter was partly inspired the example of S. T. Coleridge's 'The Friend' in which he sought to communicate 'principles', rather than 'news', to a list of subscribers in 1809-10.

I was also inspired by the news letter which Ursula Huws sends to subscribers who wish to be notified of new items on her website and of her recent views.

But my first influence was the presence of the internet itself, which allows anyone, at last, to be able to write in public without the need to pay for a print run or limit what is said to what a sufficient number of people will buy. Perhaps the day will come when literally everyone will 'write in public' on the net, as some us already do. And then the unpleasant distinction between those who are 'writers' and those who 'are literate, but not in public' will be gone. You can now write to everyone by the same means that you write to a friend!

part 2. the anthropology of the present

screen 2.1 Thinking how to begin I ask myself what kind of a culture is appropriate to living with the new technologies that are now feasible, or soon will be? Whatever it is I'd like my answer to be a part of the new culture that is needed now, and not just a carry-over from a way of living that is finished. I'd like what I write to be itself a little step into this newness - both in its form and its content, each inseparable from the other. But can I do it? Can anyone step beyond the recent past and become, as she or he writes, not a person apart from what is going on but a composer of it?

My immediate answer was this brief description of the needed culture:

non-hierarchical and non-divisive,
with everyone sharing the responsibility and with a shared belief,
as in a 'global tribe'
(one to which all people can belong
without renouncing the various cultures they were born into).

But as soon I wrote it I saw that this answer is not in itself non-hierarchical - it's a statement or an edict, as if from 'above'.

So I say to myself 'think again' and 'try to DO it (however modestly), not just prescribe'. Remember this is a daffodil, not a plan for others to carry out but something good in itself, even beautiful, even scented! '

screen 2.2 OK. Then I'll simply say that writing this daffodil IS a way of acting non-hierarchically,

-but
that provoked nothing that I want to write only silence

so I decide to write eight lines of silence

(the number 8 being chosen by chance process).

but then
while proof reading the final text of
'the internet and everyone' (a recent book)
I realised that the way to continue
is already described and exemplified there
and all I need do now
is to write my actual thoughts
however rough or unseemly they may seem
and see what comes of them!

more silence

.

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4. s u b s c r i b e / u n s u b s c r i b e

I am sending this first daffodil to a hidden (Bcc) list of about a hundred people with whom I have exchanged emails.

If you want to subscribe to future issues please send me an email with the word 'subscribe' in the subject line. You won't receive subsequent daffodils if you don't subscribe.

If, having subscribed, you want to stop receiving daffodils, please send me an email with the word 'unsubscribe' in the subject line (remembering if possible to inform me of the email address you had when you subscribed - not always an easy thing to discover).

I am dealing with subscritions manually - not via an automatic program.

You may forward daffodil to anyone.

If I receive emails from subscribers I will publish a few of them - selected without bias by chance process.

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5. c o p y r i g h t a n d c o p y l e f t

I am trying to respect both traditional copyright and the more netual principle of 'copyleft' in this newsletter and website. This leads me to ask you to observe the following condition:

You may transmit this text to anyone for any non-commercial purpose if you include the copyright line and this sentence and if you respect the copyright of quotations.

(c) 2001 john chris jones

e n d / d i w e d d