Some time ago, while confined indoors, I continued reading the novels and ideas of John Cowper Powys. I was astounded.
I touch here upon what is to me one of the profoundest philosophical mysteries: I mean the power of the individual mind to create its own world, not in complete independence of what is called "the objective world," but in a steadily growing independent attitude of other minds towards this world. [...] The point is that we have the power of re-creating the universe from the depths of ourselves. In doing so we share the creative force that started the whole process.
...any sound political thought must be based on elements of both utopia and reality.
See also E H Carr, What is history?, Macmillan 1961, Penguin Books 1964, and later editions.
These books embody what I am now calling
a basis for realisable utopia.
Trust life itself; it knows more than any teacher or book.
"The skill of writing is to provide a context in which other people can think"Edwin Schlossberg, "For My Father". ed. John Brockman, "About Bateson: essays on Gregory Bateson" (New York: Dutton, 1977), 157.
ISBN 0-525-47469-2 Library Congress: GN21.B383A65 1977
Q: What exactly is 'interactive excellence'?
A: Typical definitions of excellence, which have long been a necessary part of our culture, have traditionally focussed on the individual.
But with the emergence of new media technologies, including the Internet, which attract hundreds of thousands of new users each day, there is a need for excellence to emerge in a conversation between the audience and the creator of what that audience takes in.
This book is meant to start that conversation.
The idea is simple: We need to make the audience better in order to create better art. And to make the audience better we need to create new channels of interaction between audience members through new artistic and cultural creations.
Edwin Schlossberg, in an interview about his book Interactive Excellence, defining and developing new standards for the twenty-first century, The Library of Contemporary Thought, Ballantine Publishing Group, New York, 1998.
See his work at
Edwin Schlossberg Incorporated
Gertrude Stein*When a young novelist showed [Gertrude Stein] some of his writing she said: "You must cut out excrescences. Let nothing else get in but that clear vision which you are alone with. If you have an audience it's not art. If anyone hears you it's no longer pure. Remarks are not literature."
**She developed an important habit of meditating each day and through writing and meditation the methods in her work underwent changes as she made discoveries.
***One of the pleasantest things those of us who write or paint do is to have a daily miracle. It does come.
*from Janet Flanner's memories of Gertrude Stein's sayings - in the foreword to: Two, Gertrude Stein and Her Brother,and other early portraits, Books for Libraries Press, Freeport, New York 1969, reprinted by arrangement with Yale University Press, page xvi.
**from the editor's foreword to Look at me now and here I am: Gertrude Stein, writings and lectures 1911-1945, edited by Patricia Meyerowitz, introduction by Elizabeth Sprigge, Peter Owen, London 1967 (and later published by Penguin Books), page 8.
***Elizabeth Sprigge quoting Gertrude Stein in the introduction to Look at me now...etc, page 16.
two brief quotations
that to me give the gist of Marcel Proust's discovery:
(reading is) 'receiving the communication of another thought, while we remain alone' ...
'in that fruitful miracle of a communication in the midst of solitude'from Marcel Proust, 'On Reading',
translated and edited by Jean Autret and William Burford,
Souvenir Press, London 1971, page 31.
I have several English translations of the essay
but I believe this one is the closest to the French that Proust wrote.
The most accessible English translation is by John Sturrock,
in 'Against Saint-Beuve and other essays', Penguin Books, London 1988, page 208.
In this essay (of 1905) Proust found himself
at 'the frontier of an unknown country'*
that he later explored at great length
in his novel 'A la recherche du temps perdu'
(published in parts from 1913 to 1927).
What Marcel Proust explored is, I suppose,
the 'fiction of the self' - the greatest reality perhaps,
because it's so mobile, and so responsive to everything.
Or it can be...
It was that fluidity, of vivid memories 'lost in time',
that he explored and learnt how to re-create
(in eight volumes).
There are twelve volumes in the English translation
by C K Scott Moncrieff and Andreas Mayor,
Chatto and Windus, London 1941/1970.
* Francois Mauriac, in his book on Proust.